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Merry eXmas & SMD 2 sounds like more recent material, and is definitely less of a patchwork, finding eXquire scratching an experimental itch and weaving in fragments of narrative throughout. There’s nothing particularly new here, but it hardly matters when the quality is so universally high. Those of you sick of the state of contemporary rap will no doubt be pleased to know that eXquire and his associates bring to mind fond memories of prime-era Wu-Tang, Kool Keith and occasionally (ahem) Necro. Live from the Danger Room finds eXquire joined by various members of his Peel Off Passion crew and is certainly one for the heads. The first is a follow-up to 2011’s Merry eXmas & Suck My Dick and the second a collection of unreleased loosies that had no doubt been gathering dust.
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#Lil wayne the carter 3 mixtape livemixtapes archive
It was 2013 when we were treated to eXquire’s excellent Kismet, so it makes sense that he’s been racking up the goods, but instead of dropping a 70-minute monster of a tape, he’s split his archive of tunes into two bite-sized records. You spend an entire year waiting for a Mr Muthafuckin’ eXquire tape and then two come at once. MERRY EX-MAS AND SMD 2 / LIVE FROM THE DANGER ROOM Maybe Birdman knows what he’s doing, after all. Even Drake and WondaGurl can’t save ‘Used To’, a song saddled with Riff Raff bookends ‘No Haters’ and ‘Admit It’ don’t fare well either. Whether he’s inverting the baking soda bombast of ‘Coco’ and taking shots at Cash Money, laying down lines like “I’m a verbal disease, I’m allergic to me / Been a turd on these streets since my curtains was sheets” on ‘Shit’ or remaking ‘Drunk in Love’ with girlfriend Christina Milian, Wayne still has it.įreestyles of ‘Hot Nigga’, ‘Try Me’, ‘Tuesday’ and ‘U Guessed It’ are solid (if a bit late) it’s the originals that seem half-baked. Sorry 4 The Wait 2, Wayne’s latest effort to tide fans over until the release of Tha Carter V, doesn’t change the conventional wisdom. the abysmal ‘Start A Fire’), skills needed to finish long-promised albums. What has been in question is his sense of what makes a song or a hook memorable (e.g. Over the last year, Lil Wayne has proven that his rapping ability hasn’t been snuffed out by strong weed, cups of lean and too much time on the half-pipe his appearances on songs like ‘D’usse’, ‘My Nigga’, ‘Senile’ and ‘Face Down’ show glimpses of the best rapper alive.